Fairbanks Banjos
Construction & Tone Rings
 
 


 

A.C. Fairbanks Co. (1895-1900)

A.C. Fairbanks Metal Plate
 

1895 was a highly significant year in the evolution of Fairbanks banjos.
A.C. Fairbanks left the company to pursue other interests and it was taken
over by David Cummings and Frank Dodge with former office boy David Day as manager.

Day was a tremendous innovator and rapidly changed the appearance and nature
of Fairbanks banjos.  The Fairbanks stamp on the dowel stick was replaced with the
familiar metal tag shown above.  The bracket shoe style of neck brace was replaced
with the 3-point horseshoe style and a decorative ferrule was added to the end of the dowel stick.



 
 
 
 

Horseshoe Neck Brace

Horseshoe Neck Brace & Backing Plate

Early Dowel Stick Ferrule

Fancy Early Dowel Stick Ferrule

The Electric tone ring become much more substantial with the original 1/8" diameter
upper ring replaced with a 1/4" diameter ring, the wooden pot becoming thicker,
and the scalloped ring much heavier.

Special Electric No.5 Tone Ring

The mother of pearl inlays on the peghead and fingerboard became much more complex
and exhibited the Victorian style and taste then popular.


Around 1895 an interesting variation of the Electric tone ring appeared.
It consisted of a half spun wooden pot, the metal sheath on the upper outside surface
extending only about halfway down to the brackets, with an "inverted" scalloped tone ring structure.
This inverted tone ring was made as one solid piece rather than of separate scallops, hoop and sheath.
The downward reaching points rested on a 3/16" square steel hoop inset into the outer top edge of the pot.

This variation was frequently called the Imperial Electric

Inverted Electric Tone Ring Assembly

The Inverted Electric Tone Ring 
showing the steel ring on the wooden hoop

The Inverted Electric Tone Ring in place

The Inverted Electric Tone Ring in place


Examples of the following models remain:

From 1895:
Fairbanks & Cole
Electric, Imperial Electric, No.3 Electric
Columbian, Senator, Regent
No.0 Special
- + -
From 1896:
Imperial
Fairbanks & Cole
Electric, No.00 Electric, No.1 Electric, No.3 Electric
Imperial Electric, No.0 Imperial Electric
Curtis Electric, Special Electric
Senator, No.1 Senator
No.1 Special, No.2 Special, No.3 Special
- + -
From 1897:
Fairbanks & Cole
Electric, No.0 Electric, No.2 Electric, No.3 Electric
Special Electric, Imperial Electric, Special Imperial Electric
Curtis Electric
No.1 Special, No.2 Special, No.3 Special
Special Regent
  No.1 Senator
- + -
From 1898:
Electric, No.0 Electric, No.3 Electric, No.5 Electric
Special Electric, No.1 Special Electric, No.3 Special Electric
No.5 Special Electric, Special Imperial Electric
  No.2 Special, No.4 Special
No.1 Senator, Regent
- + -
From 1899:
No.1 Special, No.2 Special, No.4 Special
  Electric, No.0 Electric, No.1 Electric
Special Electric, No.1 Special Electric, No.5 Special Electric, No.6 Special Electric
Imperial Electric, No.0 Imperial Electric
Senator, No.1 Senator, Regent
- + -
From 1900:
No.1 Special, No.2 Special, No.4 Special
Electric, No.0 Electric, No.1 Electric, No.6 Electric
Special Electric, No.1 Special Electric, No.5 Special Electric, No.6 Special Electric
Imperial Electric, No.0 Imperial Electric, No.6 Imperial Electric, No.0 Special Imperial Electric
No.1 Senator, Regent



 
 
 
 
 

Fairbanks Special Electric #5
This 1898 Fairbanks No.5 Special Electric is one of the earliest examples of the fanciful Victorian engraved pearl inlay that became the standard for the highest grade Fairbanks and Vega banjos. 

The tone ring and internal hardware are shown above. 

With a medium skin head and light gauge steel strings it is a superb playing instrument. 
 
 

Note: You can open any of these pictures in a separate browser window to see more detail.


 
 

On to 1901 - The Fairbanks Whyte Laydie

- Return to main Fairbanks Banjos page -
 

Please contact me with any additions, corrections or comments in general.

Many thanks to Jim Bollman for providing most of the model information above.